right now.” ZamZamRec are ecstatic to announce the first vinyl release from AHRKH, the solo project of Gnod’s A P Macarte : BLISS WAVES (FROM THE HEART REALM). Nothing matters, nothing exists outside of this moment. Watch the sun gently set on this world as pink-tinged clouds drift by like thoughts in your mind and feel yourself letting go. “Forget your worries, lie back, and rest your mind. ∿ ∞ _-¨ Ultradimensional Transportation Music ∿ ∞ _-¨ For solitary reflection, Ulla’s first mononymous release is a gorgeous record that mellows and balances any physical or mental space it comes into contact with.ĪHRKH: Bliss Waves (From the Heart Realm) (Zamzam) LP On the A-side the sounds all remains detectably electronic, but for those who manage to keep their lids over half-mast, the B-side blossoms with sampled acoustic textures between a scudding choral cut-up that’s surely worth the entry alone, and in the closing thread of rainy day piano keys that perfuse and wilt in the heart-clutching closing piece. Each track here teases the senses with a range of frayed, fractured and breezily unresolved structures that exert an ideal ambient sleight-of-hand primed to lead listeners’ thoughts off on their own woozy tangents between the music’s mix of syrupy/brittle rhythm and elusive atmospheric clag. The sort of record that may leave users struggling to even get up and flip the sides, such is its soporific pull, ‘Tumbling Towards a Wall’, enacts a sort of slow motion collision with all the sensuality of knackered Ballardian pillow-talk. It’s a proper, cockle-warming sound that says its piece with measured modesty and a glowing sense of soul that resonates with Dominique Lawalrée and Ryuichi Sakamoto just as much as Ulla’s peers, such as Special Guest DJ and Pendant. In eight low-lit and fuzzy parts they feel out smudged textures flecked with iridescent, gauzy melodies and habitual, stream-of-consciousness keys that toe the finest line between enervated and ember-like. ‘Tumbling Towards a Wall’ is a keening batch of dematerialised atmospheres and lilting rhythms bound to lull listeners into hypnagogic states with its anxiety-sink ambient spongiforms and diary-like and drift-away textures. Immersively sensual, diaristic entries by cult US ambient avatar Ulla (aka Ulla Straus), the first release on Experiences Ltd, a new label run by Special Guest DJ (uon, Caveman Paradise), and a big recommendation if yr feeling Huerco S, Nadia Khan, Dominique Lawalrée, Ryuichi Sakamoto. Ulla: Tumbling Towards a Wall (Experiences LTD) LP Oh – and ‘Sunlight Feels like Bee Stings’ – what a title?! No other band do it quite like HTRK, and ‘Rhinestones’ feels like their purest iteration, conjured in a mist of love and inebriation. In key with the times, the songs feel like the soundtrack to emptied cities, casting gothic shadows in the spellbinding reverbs of ‘Valentina’ and mottled beauty of ’Siren Song’, while Conrad Standish (CS + Kreme) lends bass guitar gilding to the empty saloon sashay of ‘Real Headfck,’ and ’Straight To Hell’ basks in a transition between the golden and crepuscular hours. All nine songs land with a level of sensitivity that reveals every shimmering string, pad and echoic snare contrail like a halo around Jonnine’s voice, which regales tales of love, friendship and the mysteries of the night with a diaristic directness that has devastating emotional impact. The soul of their songcraft somehow bleeds out more clearly than ever, infusing every song from the heartbreak pucker of ‘Kiss Kiss and Rhinestones’ to the intoxicating sway of ‘Gilbert and George’ with the tumescent glow of MDMA-tingled flesh and the uncanniest air of déjà vu. Recorded in their native Dandenong Ranges, Australia, ‘Rhinestones’ contains some of HTRK’s most aching/gratifying songwriting secreted in subtly plangent sheets of dubbed guitar, pads and crackling 808s that forge a sort of quasi-Americana that feels comforting and out of place. If yr into anything from Dean Blunt to Mark Hollis, Gillian Welch to Slowdive, we’re pretty sure it’ll lodge itself deep in your heart. It does that thing so few albums do of feeling entirely familiar, cut from classic material, but skewed just off centre in a way that makes it hit entirely differently. It finds the duo stripped to a quietly cathartic, windswept arrangement of bare vocals rent with spectral webs of synth and countrified guitar in a wholly inimitable style that’s enveloped and crushed our spirit like nothing else we heard all year. ‘Rhinestones’, the 5th studio album by HTRK.
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